Author: Matthew

Leshy

Part Two

This is part two of a multipart short.  For part one, click here.

     Ayrno Githblid, a strange called man indeed, had produced for his impoverished family fine fish dinners for weeks, plucked from a location evidently untapped.  To be sure, this fishing spot of poor man Ayrno was nearly a mile from the Gibb church ruins.  Most dared not to get so close, but his family’s health charged his actions.  As no harm had chanced him and he had seen nothing evil, good man Githblid indulged his twins’ wish to tag along on one particular morning.

     Todd and Mary were each seven and had a playful disposition, which enlivened their family’s ever unfortunate reality.  But now, Ayrno’s fish stores were turning things around.  And so out they went at day’s first light.  To keep track of the playful children, Ayrno gave Mary her mother’s tambourine and beckoned the twins to stay close and play it lest he lose track of them.

     Two large trout were secured in not even an hour and during that time Todd and Mary made quite the distance into the swamp.  Neither feared the misty wood until Todd hid from his sister to produce a startling fright.

     “Gotcha!”

     That moment buried the seed of the chilling unfamiliar within Mary’s juvenile heart, the aromatic qualities of which beguiled to her tambourine’s melody the Leshy.

     Ayrno Githblid arose for a stretch and harkened to his children.  He had long forgotten his task to keep the tambourine’s song near.  Nevertheless, as he stood, the faint jingles tickled his ears into a smile, reassured of his children’s safety.

     But then . . . nothing.  The children’s father peered into the descending fog but could decipher nothing.

     “Mary!  Todd!  Come here children!”

     Nothing.

     Ayrno dropped his rod and charged into the mist.  “Mary . . . Todd!”  He stopped cold amid the frozen shrieks of his daughter.  “Mary!”

     As Ayrno bounded to her, Todd came running to him in a deathly pale and breathless.  He collapsed in his father’s arms.  “It got her . . . the monster.  I saw it, he . . .  ate her.  Mary . . . she’s gone.”

     The man rose to give chase to what beast dared violate his family, but found nothing.  Even the fog diminished into midday sunshine.

     Ayrno Githblid understandingly only ever blamed himself for the loss of his daughter and he soon turned to consumption.  Amid these treacherous bouts of chemical inebriation, Ayrno would venture to the old Gibb church and call to his daughter.  He recalled seeing the ghostly shadow of a woman moving about the fog.  But when he would call to her, the woman would vanish deep into the bog.

     Even after recovering from bitter mourning, the bereaved father fearlessly ventured into the wood in search for a glimmer of hope.  But not even young Mary’s tambourine was ever recovered.

     It was at Githblid’s request that the perceptible border of the Leshy’s realm was rightly marked in longstanding inks of red and yellow, foreboding adventurous thrill seekers to stay their quests.

     For sixty-three years did those stark alarms keep locals at bay.  And then, following the conclusion of our great rebellion, three of good Washington’s, ‘alayhi as-salām, youthful revolutionary musicians, hoping to hasten home, swifted through the woodland, caring not for the faded flamboyant markers harkening their cautionary steps.

     They became quickly misplaced in the dark of Leshy’s wood and soon enough the tones of the damned resounded upon them.  The ground began to slip and the moonlit swamp produced the silhouettes of shaded faces aghast for empathetic submission.  Then faint giggles and the ringing of paired jingles danced playfully around them.

     The three lads quickened to a sloggish amble, finding St. Gibb’s before the infernal grabbing of felled men’s hands could abduct them.  There, aloft chunks of chapel bricks, the boys awaited dawn’s arrival.

     But a sad sung song amid the fog assured their party’s unlikely survival.  Nevertheless, they peered from behind the tattered church to glimpse the eerie voice.

     “There, do you see.”  The drummer boy pointed into the haze at the pale figure of a woman gently stepping from the tree line.

     “I am my beloved’s, and his desire is for me.” the woman sang.

     The boys continued to watch as the woman moved toward them.

     “The mandrakes give a smell, and at our gates are all manner of pleasant fruits, new and old, which I have laid up for thee, O my beloved.”

     “That’s the ghost of Berkeley Monck!” whispered the piper.  “We must be at Saint Gibb’s.”

     “They say she ran off with her lover to marry here, but he abandoned her in the marsh.”

     “I heard the sheriff killed them both and dumped their bodies in the swamp.”

      “Quickly, let us move.  This place is wrought with dread.”

     But as they turned to flee, the boys froze in terror before the ghost of Berkeley Monck drifting beneath the archway, her melancholy gaze upon them, and little Mary Githblid prancing tambourine beside; and they brought with them the swamp, which engulfed the chapel and filled its walls with sludge.  The boys attempted to clamber, but were seized by the mudmen who’d accompanied the flood.  As the swamp retreated, whisking away the poor lads, Berkeley Monck blew a kiss and vanished into the night with little dancing Mary.

     Along once meager channels, the swampy mud-slip thrashed the boys to the mouth of a small cave.  There they were tendered to the Leshy.  He plucked them from his minions and descended his earthly lair, caring none for their youthful pleas.  Great horrors befell the little soldiers as a tasty night’s delight for the guardian of the bog—the Leshy.

 

Copyright © 2016 Matthew Bell. All Rights Reserved.

Title quote by Opeth.

 

     I’ve not yet determined the necessity of an introduction to every post.  To be sure, they certainly help get the juices flowing.  I will, of course, discard this preference amid topical irrelevance if ever I spot so foolish a calamity . . . so how about this:

     The cyclical reality of self-destruction and the pursuit of individuality necessitate one another, the haunting discoveries of which often belatedly manifest.

     Now lemme scare the shit out of you.  This is:

Leshy
The losts’ keeper

If ever you’ve heard of the Leshy
You’ll certainly know to be true
A moment of fear in his woodland
And his smell and taste are for you

 

Part One

     So long ago, in the wee hours of our colonial yesteryears, where a meager brook abandoned its maritime charge and descended amid the earth, a stone church—St. Gibb’s Chapel—was set atop the marshy woodland.  Yet it would not keep.  Small but lofty, this fortification was condemned to regular submersion, its weight being much for the mireous sod.  Lo, the builders ceased construction not—their manifestory Vortigernous persistence saw the sanctuary’s assembly thrice, and thrice it cumbled until no celestial accordance could stay absolute abandonment.

     To be sure, something else plagued St. Gibb’s erection.  Many laborers and artisans vanished during the continued construction.  It must have been a demon to have condemned so holy a venture.  And soon word had spread of a dreadful forest horror—a guardian of the bog . . . the Leshy.

 

     “I am game for his crooked jaw, and for the jaws of Death too […] if it fairly comes in the way of the business we follow…”

-Starbuck

     “Stranger, you are a simple fool, or come from far off, when you tell me to avoid the wrath of the gods or fear them.”

-Polyphemos

 

     Now four score before our good man Washington, ‘alayhi as-salām, managed America’s eventual secessionatory declaration, St. Gibb’s ruins had long lingered amid a demonic perception.  And on one autumn’s evening, a clothly Sheriff, called Monck, stole away his wife and her lover to atone their sins before the Abbadonic apparition.

     “And the man that committeth adultery with another man’s wife, even he that committeth adultery with his neighbor’s wife, the adulterer and the adulteress shall surely be put to death.” quoth the Sheriff.

     Moultine Monck may have been religious but stayed not did this charge his malevolence, for he had his foot upon a stool—the only thing staying the rope around Penson Furst’s neck—his youthfully adulterous deputy.

     “If a man be found lying with a woman married to an husband, then they shall both of them die, both the man that lay with the woman, and the woman.”

     “Moultie . . . honey . . . I beg you . . . please!”

     Berkeley Monck was not noosed, but rather lashed to a chair beyond the ruins, sobbing for her enchanted lover impending beneath the nearly-felled archway.

     “A righteous man falling down before the wicked is as a troubled fountain, and a muddied spring.”

     And with that, Sheriff Moultine Monck shoved the stool from beneath the terrified boy.  The swinger’s gaze begged the Sherriff’s wife for a long last moment of restrained affection.

     “Creature!” Cried the Sheriff.  “Come upon me and washeth mine life of this debaucherous swine and her dangling trough.”

     The marsh roots crooked and the bog bubbled with the voices of the consumed.  The bound Sheriff’s wife’s desperate shrieks produced only the hastened  arrival of her mudland executioner.  His figure rolled upon the ruins in a wave of swamp and stench.

     “I have tasted the smell of fear in my wood and have gathered here to collect its consequence.  Who is here for me?”

     “Foulest kraken, taketh mine wife and this corpse which lingereth before her.”

     “It fears me not, thus it shall remain.  But this Lilithian Yuki-onna, send her to me.”

     Monck’s foot shoved his wife’s chair as he had her lover’s stool.  “I commit thy soul into this waste and weep for thou not.”

     The Leshy clutched Berkeley around the mouth amid her final howl of misfortune.  “Come hither, tasty child, and embrace what fear thou hast.”

     Sheriff Moultine caught the shimmer of his wife’s tears before the beast’s mouth shut to a gulp and the adulterous bride was no more.

     Since few dared the bog at St. Gibb’s, Sheriff Moultine ever evaded persecution for his deeds.  He died of diphtheria at 74—a ripe old age in those days indeed.

     So grim a tale, should this be the end . . . but it is not—there is more to tell.  Before even Sheriff Moultine departed this earth, another soul joined the Leshy’s spirituous ranks.  But we’ll leave it here for now . . .

 

Copyright © 2016 Matthew Bell. All Rights Reserved.

Title quote by Opeth.

     Greetings, ghastly specian, and welcome to October.

     I’m sorry for my lengthy absence, but producing material before my vacation was a priority.  Publishing material during my vacation was not.  I do apologize and certainly plan for a regular production frequency henceforth.

     Now I know uncountable readers are parched for Kaga’s moonlit desert dessert, but let us not abandon our frightening Octoberian obligations.

     Autumn is far and away a most discernably fabulous time of year, even if you don’t agree, and it concludes, to some extent, with a hastened, if not nearly forgotten, holiday.  Yea, even the profiteering consumer locales replace their ghoulish décor with boughs of holly before our archaic new year’s evening gala hath commenced.

     But do not fret, fellow foul friends, as there are among us those who relish in Autumn’s delight, and we champion candious celebrations.  So brandish thine turnips and prepratorilly harvest boxes of fruitsnacks.  This is:

Harvest
Foreshadowing Fan Fiction

“It is difficult to free fools from the chains they revere.”

-Voltaire

     The Inn at Brynnwood and 11th was a decrepitous wooden mansion—a relic lost amid misfortune while endeavorous profiteers ventured the land around it for fairs, shops, churches, and banks.

     Had I any sense about me, the damp odor dawdling around the hardly-lit foyer would’ve put me off in search of some newer structure.

     But I was tired . . . and the rain.  It so drove me to shelter that I cared not to return to the falling treachery behind—the cobblestone roads outside ran with minor, muddy tributaries, gathering for a midnight flood.

     And so I did not leave, but meandered the crimson carpetway to a tall oaken desk with an ancient librarianesque crone seated behind it.  She scowled over her spectacles as I took a dribble of ink to the occupant roster, which was yet empty.  Beneath ‘evenings,’ I inscribed a 1.

     “Dollar fifty.”

     “Very well.”  I produced the precise charge, and her trembling appendages carefully retrieved it.  She then lumbered to the wall behind her and struggled for the highest key of the lot.  “I’ll settle for a lower room, if you like.”

     “I care little where you sleep, but if you’d prefer a roof and a sound window, particularly amid so precarious a gale, then leave me to my charge . . . our highest room is the soundest of them all.”

     “As you say, madam.”

     The woman prepared a lantern, having infernally caught my gaze as she whispered the match into submission.  She moved from behind the desk and fought the lantern into a forthright stead.

     “If you’ve gathered your things, you may follow me.”

     There were no lights about the place, save our meager lamp, which illuminated our cavernous ascent, ever beyond the mansion’s many doors.

     “Each of these rooms is unfit?” I beckoned, hoping to stay our venture.

     “So enough, lest you welcome an evening shower.”

     My momentary misinterpretation of her meaning proved a revitalizing contemplation, which dissolved facing our final flight.  This last stairway was snug and smelled foul.  I climbed the spire, trailing the dim-lit profile of the lantern-clad woman before me.  Our steps produced a carol of horrific creaks until the last.  Beyond a small landing was a lonely door.

     “Here is your room.” She said, unlocking the door, handing me the key, and hanging the lantern.

     “Do you not require it for your descent, madam?”

     “I shall light another.”

     I’ve no idea whence she produced said replacement, but she’d done so ere I’d fastened the door.  I watched the warm light spill into the room to my boot tips, linger for a moment, and slowly fade away.

     I peered through the keyhole swiftly enough to watch as the light moved down the stairwell until I was sure the woman was gone, after which I secured the lock and tossed my key under a pillow.

     The air was cold and damp, but there was no sign of the rain invading what I imagined to be the attic.  I arranged my effects, kindled a stout candle, and produced my log to record the evening’s strange affair.

     I fell a few dribbles of laudanum into my brandywine and ventured a relaxing conclusion to a troublesome journey.  Once I’d finished with my journal, I extinguished the light and swam into a pleasant trance.

     I woke amid thunder and reached for my pocket watch to find I’d slept for only a few hours.  But then, as I considered my forthcoming struggle to reclaim sleep, I discerned the faint climbing of stairs amid the rain’s clatter.  Was the woman returning?

     I retrieved my key, hastily reignited my candle, and moved to the door.  Sure enough, someone was climbing the stairs.  I fastened my ear to the door.  The stairwell creaking turned into a shuffle across the landing right up to my room and then stopped.

     I fetched a knife and prepared to confront who could only be the old woman.  I rotated the key and the doorknob began twisting with an overwhelming strength.

     “Holy Hell!”  I fought the knob to a halt, waited, and then, knife at the ready, opened the door.

     Nothing . . . no one.  I blinked to a reassured conclusion.  There was nothing.

     I returned to my bed, but did not extinguish my candle.  Despite my opiatic hallucinatory potential, my childlike fears had rekindled into a wretched fright.  Nevertheless, I soon resubmitted to a slumber.

     POP!

     My eyes shot open.  Something was in my room.  There was still light, but I could not turn my head . . . nay, I could not even move.  I glanced down to watch the blanket slowly retreat from my chest.  I gulped, which was met with a heavy breath.  What was happening . . . where was this nightly fiend.  Then . . . the candle extinguished itself.

     Finally I heard the lighting of a match and a soft whisper.  The light approached until the partly illuminated, wrinkled face of the old woman peered down into my eyes.  She brought her hand to my face and I tried to close my eyes, but I could not.  She ran her nails down my cheek and onto my chest whereupon she began unbuttoning my top.

     “Your heart is excited.” She crackled, and began producing a number of tubular vessels from a large cask.  She forced the hoses of one with a blue liquid into my neck.  I dizzily watched the liquid darken as my blood mixed with whatever the vessels contents were.

     “I trust you cannot feel this, young man.  Please stay alert.”

     This perceivably feeble old woman then effortlessly raised me to a seated position against the headboard and ran her middle finger down my breast.  I watched as the nail grew into a wicked device which she used to open my bowels.

     Nauseated, I glanced upward to the woman’s face.  To my astonishment, as she did her work, I watched her elderly facade dissolve into that of a young woman, gleefully removing my organs and gently placing them into glass cylinders of black liquid.  I could do nothing.

     “Please pay attention.” She requested with a sweet youthfulness, pushing her thumb into my chin.

     Her eyes widened and skin paled until she resembled no discernibly earthly thing I’d encountered amid my distinguished taxidermic tenure.

     My laudanum washed into an overwhelming sadness at my life’s imminent conclusion, and at the hands of so foul a creature.

     “Aw, don’t cry.  It will soon be over.  You’re being ever such the big boy.”  Her voice was echoing into a hardly human, atmospheric monotonal-reassurance.

     I watched, but could not feel, as my heart was plucked from my chest and placed, with my lungs, into one of the cylinders.  How could I be conscious?

     “One more to go.”

     This monochromatic, wide-eyed fiend made no expression as she severed my head at the neck.  With a clutch of hair, she pulled me from my body and rotated my face into her empty gaze.  She now produced not even English, but the hums a whale might comprehend, and slowly submerged my head into the bloodied vial of blue liquid.  I could do nothing as my ears filled and vision muddied.  I was kept conscious by some magic and entrusted with only the most minimal faculties, ever to gaze through my amphibious reservoir at the shelves of poor fools before me.

     Happy October Everybody!

-Matt

Copyright © 2016 Matthew Bell. All Rights Reserved.

Title quote by Opeth.

     Hello, fabulous human.  I certainly hope you’re well!  Thank you greatly for stopping by.

     It’s likely we’ve been historically acquainted and may’ve even, at one time, been conceivably friendly.  If this is the case, then “it’s so good to see you once again,” and if not, then it’s wonderful to meet you!

     My name is Matthew Bell and welcome to Beltchat.com.  Here you’ll find only the finest historiographical discourse regarding biblically-fashioned waist accessories.  Not really, but the Bible Belt is whence spawned my anthropological perception of our species, which largely perpetuates my compositional frivolities.  It is thus subliminally relevant.  But what is this so provocative realm?

     Well, the Bible Belt’s fantastical with magical perceptions of the Universe and other things miraculously around it: like “shoes—and ships—and sealing wax—“like Dorudontinae and Australopithecus.  The Planet’s also very young and has seen a mighty flood.  Our ancestors have scarcely changed, but are rather dust and ribly.  Here is where I’ve dwelt so long—beyond a quarter century—that I think and look a lot like all those humans all around me—‘Merica!

And now, a story . . .

 

     The tumultuous reality of 69 is that, which any historian can confirm, focusing strength on either end is occupationally tricky.  So, to minimally convolute our cerebratory potential, we’ll abandon Rome, but just for now, and hang out in Alaska . . . well, Arizona.  This is:

 

Keepsake part one:

Kaga’s Achak

 

     “The wise hear them and grow in wisdom; those with understanding gain guidance.”

– Proverbs 1:5

     “Take the breath of the new dawn and make it part of you.  It will give you strength.

– Hopi saying

     “Love to his soul gave eyes; he knew things are not as they seem.  The dream is his real life; the world around him is the dream.”

-Michel de Montaigne

 

     Prologue: The Anasazi aulos was a treasured memento of Paleontologist Howard Hood, which was whimsically unearthed amid a Kayentan Dilophosaurus dig.  No flute of its kind had evidently ever been produced by the Ancestral Pre-Puebloan peoples.  Nevertheless, he kept the artifact displayed aloft his mantle.  There it remained until one day it astonishingly vanished.

.               .               .

     Kaga was a storyteller, which nobody could see, since he slaved away on end each day, chipping bits of rock.  He was reasonably strapping, of medial proportions, and fashioned heads of stone for spears to use with the atlatle.  So superb with this device was he that the elders never cared to let him chance a chronicle for all the tribe to hear.  Kaga waned dispassionate, but kept his crafty charge, hoping for the moment to exemplify his art.  Perhaps his opportunity was nearer than he’d thought.

     Kaga’s home was a sufficiently aesthetic combination of cave and clay with a wooden interior and small fire pit.  Unfortunately, however, his door dislodged so regularly that the boy conceded to resting it closed at night.  But one night, an exhausted Kaga neglected this nuisance and slogged straight to bed whereupon he satisfyingly submerged into so swift a slumber that dreamy elations were upon him in fervorous haste.

     And so night meandered merrily along Kaga’s illusions, his home comfortably chilled by evening’s efflation.  But soon, as if by magic, a sweet sound rolled upon the breeze, which stimulated Kaga into a curious stir.  A soft humming of flutes, which he weakened before, tickled with wisps of vanilla and jasmine, danced around his head, enticing autonomous euphoric responses no whispering playmate could ever produce.  And so on hummed the flutes, gentle and fragrant:

     hmmmnn hmmmnn . . . just kidding.  “I love you, and I miss you . . . hmmmnn.”  Ok, seriously.

     Anyway, Kaga lumbered from his home into waves of audible, heavenly delight, beckoned to attention by overwhelming aromatic qualities.  Further, the boy clambered, beyond the hill outside his village, venturing amid the nightly desert.  Now miles from home, Kaga kept his lustled course.

     Finally, he stopped short.  There, perched aloft a distant saguaro, nestled the moonlit profile of a lovely woman, whence harmonized the rousiest melodies, exciting Kaga’s approach.  But, as he drew near, the siren leapt from her plant.  She had not even touched the earth before backwards over hills she flew, melodically captivating the fatigued boy.

     This vixen was swift.  Kaga gave chase but could hardly hear her harmonious rhythms or catch her pleasing drift.  Alas, amid a barren clearing, nothing could be seen . . . nothing could be heard . . .  nothing could be smelled.  It would seem our foolhardy lad was alone.  Now, Kaga was a very learned chap and thus grieved:

     “Foul, this manifestory-Kokopellian, succubic aulete hath deceived me.”

     Note:  The absent Ancestral-Puebloan writing system scarcely elaborates the characteristics necessary to sufficiently decipher whatever Southwestern, Pre-historic Native American, geographically-refined linguistic manifestations these individuals potentially employed and so we’ve taken certain compositionally-Antonianesque liberties—how bittersweet a return to Rome is that!

To be continued . . .

     Once again, thank you so much.  I absolutely appreciate your time!

-Matt

Copyright © 2016 Matthew Bell. All Rights Reserved.

Intro quotation by Tool.